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Pat Thomas

Burning Man: Art On Fire

By Pat Thomas, 01/11/14 Articles
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A weeklong exercise in creativity and consciousness-raising, and letting go of boundaries the Burning Man festival takes place in the middle of Nevada’s Black Rock Desert. Each year it draws more than 60,000 creatives, free spirits and the just plain curious to a sprawling campground called Black Rock City,  so large it can be seen by satellites orbiting the earth.

One of the traditions of the festival is to do something extravagant and gift it to the gathered ‘community’. Selling things isn’t allowed . Your contribution could be a week’s worth of sandwiches, coffee or cold drinks, free haircuts; design it yourself t-shirts and, yes, even sex.

But one of the most celebrated gifts of Burning Man is the art – larger than life pieces that inspire awe, installations you can write, sit or climb on, and constructions lit by any and every kind of light from neon to solar. At the end of the festivities, all of it is taken away or set alight wiping the desert slate clean for another year.

The scope and ingenuity of the installations by amateur and professional artists from around the globe is a vital part of the whole experience and up until now most people have only seen it in person or through holiday snaps.

This hefty book features the only authorized collection of more than 200 images from 1986 to the present day. Enlightening interviews with the artists give some insight into the way the assembled ‘Burners’  interact with the geography of the desert and view the wide open space of Black Rock as both a metaphorical and actual tabula rasa, with no expectations and no limits on where their imaginations can stretch.

It may only capture only a small flicker of the clever, awesome, and occasionally weird world of Burning Man art, but as armchair experiences go it is both inspiring and simply beautiful to dip into.

Burning Man: Art On Fire

Text by Jennifer Raiser, photography by Scott London and Sidney Erthal

Race Point Publishing; £21

ISBN: 978-1-937994-37-2

 

  • This review appeared in Geographical magazine circa November 2014.